Tuesday, 22 May 2018

Finding a motherly form

Based on a series of portraits by Dorothea Lange, Asylum's mother character was proving hard to realise. The sources are images of a migrant worker and mother from California, 1936. These were hard times and it shows in her face.

In Nipomo, California, Lange came across Florence Owens Thompson and her children in a camp filled with field workers whose livelihoods were devastated by the failure of the pea crops. Recalling her encounter with Thompson years later, she said, “I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions. I made five exposures, working closer and closer from the same direction.”
 www.moma.org/learn/moma_learning/dorothea-lange-migrant-mother-nipomo-california-1936


Migrant Mother, Nipomo, California - Excerpts from series (Dorothea Lange, 1936)

If portraying the feminine form wasn't an enigma in itself, adding a layer of toughness and the world-weary is proving doubly so.


Mother - Initial sculpt

I'll add some facial furniture and see how this goes...

Sunday, 20 May 2018

Struggles in style

Working through the character sculpts it's obvious that there are problems with consistency of style. While some are more caricatured, others do not display a consistent level of exaggeration. They're all pulling in different directions, some stronger than others. More work required. 

The Production Bible

I got a hard copy of the "production bible" printed for the assignment. It was an A3 and wire-bound on heavy paper. You can find an online flip-book version via the link below.


Flip-book link